PICDEV-979

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She still cites as influences writers like Emily Dickinson and the controversial Mexican social commentator Elena Garro who, she says, “was one of the greatest writers of our times”. Yet a literary career was an impossible dream. “I was brought up in a very conservative family, but I always felt somewhat rebellious about that upbringing …

1. My father, 
2. who belonged to this 
3. bourgeois 
4. and conservative society,

refused to let me study literature.’ Still, try as he might, her father was unable to hide his own artistic interests. ‘At the same time, he was an amateur photographer, and I slowly grew interested in the portraits that he took of us. He kept them in a closet, and I frequently stole them, despite the punishments that he gave me.” Marriage at a very young age was her route away from parental restrictions and into photography. “I married a liberal architect  with whom I had the freedom to study cinema. Then I met Manuel Álvarez Bravo at school and became his assistant, which was crucial for my development as a photographer.” As her calling grew stronger, Iturbide realised that she

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needed a way out of her marriage ‘to be able to dedicate myself to photography and film’. Not an easy road but a profoundly important one. “My divorce caused a scandal. But when I got divorced, despite the fact that I had a good relationship with the father of my children, I felt liberated. I was able to do my jobs, both in photography and in film”. She never regretted or felt guilty about the breakup. As for her children, they were always with her, either in her small laboratory or on some of her trips. “

• They loved 
• that I 
• was a photographer, 
• and I shared 
• all my 
• work 
• with 
• them.

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