About the artist 01 2165
Durban, RSA
South African
USA
About verification 2165 Brent Stirton
Brent Stirton is special correspondent for Getty Images, and regular contributor to National Geographic magazine, Stirton specializes in documentary work, generally photographing at the intersection of man and the environment. He works regularly for Stern Magazine, Human Rights Watch and with The Environment Investigation Agency and LAGA as well as the Gates and Clinton Foundation and various UN groups. He has received many awards, including multiple awards from the Overseas Press Club, The National Magazine Awards, The Peabody awards, Pictures of the Year International as well multiple awards from the World Press Photo Foundation. His photos have also appeared in the New York Times Magazine, Le Figaro, GQ, GEO, and other respected international titles.
About the artist 01 2165
Macedonia
Macedonian
Artist based in
About verification 2165 Stojna Andrioska
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
With characters visually submersed in landscapes, separation between their inside and outside melts away. Vulnerability permeates it all.
Adding module title
Macedonia
Macedonian
Skopje
About verification 2165 Stojna Oreshkova Andrioska
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
With characters visually submersed in landscapes, separation between their inside and outside melts away. Vulnerability permeates it all.
About the artist 01 2165
1998, Innsbruck
Austrian / Nigerian
Germany / Belgium
About verification 2165 Stojna Andrioska
David Uzochukwu is an Austrian and Nigerian artist. Growing up in Luxembourg and Belgium, Uzochukwu delved into self portraiture at age thirteen, and began developing a largely digital practice. It lead to vivid collaborations with artists FKA twigs and Iris van Herpen among others, as well as a commission for the World Wildlife Fund. Their self portrait series A FAMILIAR RUIN was included in group show Dey Your Lane! at Bozar (2016). Further exhibitions include Photo Vogue Festival (2018, 2019), and The New Black Vanguard at Rencontres d’Arles (2021). Uzochukwu was nominated for an ICP Infinity Award in 2019, and named „One to Watch“ by British Journal of Photography the following year. Uzochukwu’s first short film, GÖTTERDÄMMERUNG, premiered at Max-Ophüls-Preis in 2021, while their first film installation is in development at CPH:DOX’s lab. Uzochukwu is based in Berlin, pursuing a BA in Philosophy and Cultural Studies.
With characters visually submersed in landscapes, separation between their inside and outside melts away. Vulnerability permeates it all.
About the artist 01 2165
1998, Innsbruck
Austrian / Nigerian
Germany / Belgium
About verification 2165 David Uzochukwu
David Uzochukwu is an Austrian and Nigerian artist. Growing up in Luxembourg and Belgium, Uzochukwu delved into self portraiture at age thirteen, and began developing a largely digital practice. It lead to vivid collaborations with artists FKA twigs and Iris van Herpen among others, as well as a commission for the World Wildlife Fund. Their self portrait series A FAMILIAR RUIN was included in group show Dey Your Lane! at Bozar (2016). Further exhibitions include Photo Vogue Festival (2018, 2019), and The New Black Vanguard at Rencontres d’Arles (2021). Uzochukwu was nominated for an ICP Infinity Award in 2019, and named „One to Watch“ by British Journal of Photography the following year. Uzochukwu’s first short film, GÖTTERDÄMMERUNG, premiered at Max-Ophüls-Preis in 2021, while their first film installation is in development at CPH:DOX’s lab. Uzochukwu is based in Berlin, pursuing a BA in Philosophy and Cultural Studies.