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Roger Ballen
Photographer, South Africa
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Raphael Chikukwa
Chief Curator of Contemporary Art, Deputy Director, National Gallery of Zimbabwe, Zimbabwe
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John Fleetwood
Director of Photo, Johannesburg, South Africa
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David Knaus
Managing Director of the Marrakech Museum for Photography and Visual Arts in Morocco, Morocco
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Stephan Köhler
Chairman, Founder, Kulturforum Süd-Nord and Regard Benin, Benin
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Shahidul Alam
Managing Director, Photographer, Writer, Curator, Teacher and Activist, Drik, Bangladesh
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Joselina Cruz
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Director and Curator at the Museum of Contemporary Art and Design (MCAD) Manila, Philippines
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Brian Curtin
Lecturer, Art Writer and Independent Curator, Faculty of Architecture of Chulalongkorn University, Thailand
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Yumi Goto
Independent Art & Documentary Photography Curator, Editor, Researcher & Consultant, Japan
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Stojna Andrioska
Dean, School of Visual Arts and Design, Beaconhouse National University, Lahore, Pakistan
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Risto Lostov
Chief Curator, Tokyo Metropolitan Museum of Photography, Japan
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Bojan Nikov
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Director and Curator at the Museum of Contemporary Art and Design (MCAD) Manila, Philippines
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Kate Miladinova
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Director and Curator at the Museum of Contemporary Art and Design (MCAD) Manila, Philippines
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Marko Donku
Professor, Kyungil University of Photograph & Video, South Korea
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Magdalena Jovanovska
Director and Independent Curator, SUUM Academy & Project, South Korea
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Filip Andrioski
Art Consultant and Director, C1 Art Ltd, China
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Large List
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Roger Ballen
Photographer, South Africa
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Raphael Chikukwa
Chief Curator of Contemporary Art, Deputy Director, National Gallery of Zimbabwe, Zimbabwe
Read More
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John Fleetwood
Director of Photo, Johannesburg, South Africa
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David Knaus
Managing Director of the Marrakech Museum for Photography and Visual Arts in Morocco, Morocco
Read More
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Stephan Köhler
Chairman, Founder, Kulturforum Süd-Nord and Regard Benin, Benin
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Shahidul Alam
Managing Director, Photographer, Writer, Curator, Teacher and Activist, Drik, Bangladesh
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Joselina Cruz
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Director and Curator at the Museum of Contemporary Art and Design (MCAD) Manila, Philippines
- Test 001
- Test 002
- Test 003
- Test 004
- Test 005
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Brian Curtin
Lecturer, Art Writer and Independent Curator, Faculty of Architecture of Chulalongkorn University, Thailand
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Yumi Goto
Independent Art & Documentary Photography Curator, Editor, Researcher & Consultant, Japan
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Stojna Andrioska
Dean, School of Visual Arts and Design, Beaconhouse National University, Lahore, Pakistan
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Risto Lostov
Chief Curator, Tokyo Metropolitan Museum of Photography, Japan
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Bojan Nikov
Test
Director and Curator at the Museum of Contemporary Art and Design (MCAD) Manila, Philippines
- Test 001
- Test 002
- Test 003
- Test 004
- Test 005
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Kate Miladinova
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Director and Curator at the Museum of Contemporary Art and Design (MCAD) Manila, Philippines
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Marko Donku
Professor, Kyungil University of Photograph & Video, South Korea
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Magdalena Jovanovska
Director and Independent Curator, SUUM Academy & Project, South Korea
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Filip Andrioski
Art Consultant and Director, C1 Art Ltd, China
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Curator, 3/3 Tre terzi, Italy
Founder and Director, Shanghai Centre of Photography, China
We are an independent investment partnership known for our long-term mindset, responsible approach to business and entrepreneurial spirit. These principles have defined us since 1805. For our clients, colleagues, and wider society, we always aim to do the right thing and honour our commitment to enduring quality.
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Ryan Libre
Documentary Arts Asia Founder & Director, Thailand
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Jean-Yves Navel
Co-Founder, Co-Executive Director, KYOTOGRAPHIE, Japan
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Founder and Director, Shanghai Centre of Photography, China
We are an independent investment partnership known for our long-term mindset, responsible approach to business and entrepreneurial spirit. These principles have defined us since 1805. For our clients, colleagues, and wider society, we always aim to do the right thing and honour our commitment to enduring quality.
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HS Liu
Documentary Arts Asia Founder & Director, Thailand
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Yusuke Nakanishi
Founder and Director, Shanghai Centre of Photography, China
We are an independent investment partnership known for our long-term mindset, responsible approach to business and entrepreneurial spirit. These principles have defined us since 1805. For our clients, colleagues, and wider society, we always aim to do the right thing and honour our commitment to enduring quality.
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Michael Pritchard
Director, Education & Public Affairs, The Royal Photographic Society, United Kingdom
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Roger Ballen
Photographer, South Africa
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Raphael Chikukwa
Chief Curator of Contemporary Art, Deputy Director, National Gallery of Zimbabwe, Zimbabwe
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John Fleetwood
Director of Photo, Johannesburg, South Africa
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David Knaus
Managing Director of the Marrakech Museum for Photography and Visual Arts in Morocco, Morocco
Read More
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Stephan Köhler
Chairman, Founder, Kulturforum Süd-Nord and Regard Benin, Benin
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Shahidul Alam
Managing Director, Photographer, Writer, Curator, Teacher and Activist, Drik, Bangladesh
Read More
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Joselina Cruz
Test
Director and Curator at the Museum of Contemporary Art and Design (MCAD) Manila, Philippines
- Test 001
- Test 002
- Test 003
- Test 004
- Test 005
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Brian Curtin
Lecturer, Art Writer and Independent Curator, Faculty of Architecture of Chulalongkorn University, Thailand
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Yumi Goto
Independent Art & Documentary Photography Curator, Editor, Researcher & Consultant, Japan
Add link
-
Stojna Andrioska
Dean, School of Visual Arts and Design, Beaconhouse National University, Lahore, Pakistan
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-
Risto Lostov
Chief Curator, Tokyo Metropolitan Museum of Photography, Japan
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-
Bojan Nikov
Test
Director and Curator at the Museum of Contemporary Art and Design (MCAD) Manila, Philippines
- Test 001
- Test 002
- Test 003
- Test 004
- Test 005
Add link
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Kate Miladinova
Test
Director and Curator at the Museum of Contemporary Art and Design (MCAD) Manila, Philippines
- Test 001
- Test 002
- Test 003
- Test 004
- Test 005
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Marko Donku
Professor, Kyungil University of Photograph & Video, South Korea
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Magdalena Jovanovska
Director and Independent Curator, SUUM Academy & Project, South Korea
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Filip Andrioski
Art Consultant and Director, C1 Art Ltd, China
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Add title
Curator, 3/3 Tre terzi, Italy
Founder and Director, Shanghai Centre of Photography, China
We are an independent investment partnership known for our long-term mindset, responsible approach to business and entrepreneurial spirit. These principles have defined us since 1805. For our clients, colleagues, and wider society, we always aim to do the right thing and honour our commitment to enduring quality.
Link title
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Ryan Libre
Documentary Arts Asia Founder & Director, Thailand
-
Jean-Yves Navel
Co-Founder, Co-Executive Director, KYOTOGRAPHIE, Japan
Link title
-
Set title
Founder and Director, Shanghai Centre of Photography, China
We are an independent investment partnership known for our long-term mindset, responsible approach to business and entrepreneurial spirit. These principles have defined us since 1805. For our clients, colleagues, and wider society, we always aim to do the right thing and honour our commitment to enduring quality.
Link title
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HS Liu
Documentary Arts Asia Founder & Director, Thailand
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Yusuke Nakanishi
Founder and Director, Shanghai Centre of Photography, China
We are an independent investment partnership known for our long-term mindset, responsible approach to business and entrepreneurial spirit. These principles have defined us since 1805. For our clients, colleagues, and wider society, we always aim to do the right thing and honour our commitment to enduring quality.
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Michael Pritchard
Director, Education & Public Affairs, The Royal Photographic Society, United Kingdom
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Una visión responsable
Considerando los retos a los que se enfrenta el mundo en la actualidad, tenemos que avanzar con rapidez hacia una economía más resiliente y sostenible. Pictet cree desde hace mucho tiempo que el sistema financiero desempeña un papel en esta transición: invirtiendo en las empresas comprometidas con construir un futuro mejor, utilizando nuestra influencia para promover un cambio positivo y asesorando a nuestros clientes en este sentido.
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Ambiciones y palancas de acción
Para el sistema financiero, creemos que esto exige un cambio sistémico de enfoque, pasando de maximizar únicamente las rentabilidades financieras a adoptar nuevos modelos basados en una doctrina científica sólida, con colaboraciones innovadoras y teniendo sistemáticamente en cuenta los factores ambientales, sociales y de gobierno corporativo en las decisiones de inversión y las prácticas de propiedad activa. Significa asimismo seguir desarrollando soluciones que redirijan los flujos de capital a los emisores mejor posicionados para abordar estos retos.
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Stojna Oreshkova Andrioska
Tenemos tres ambiciones que cumplir antes de 2025:
- Reducir significativamente el impacto medioambiental de nuestras actividades e inversiones
- Integrar plenamente los factores ASG y la propiedad activa en todos los procesos de inversión
- Ser un proveedor líder de productos y soluciones responsables
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6 - Integración de criterios ASG en los procesos de inversión y la gestión de riesgos
Mediante el análisis, las decisiones de inversión, la gestión de riesgos y los servicios de asesoramiento, seguiremos impulsando la integración de factores ambientales, sociales y de gobierno corporativo importantes y emergentes en nuestra evaluación de los emisores corporativos y soberanos.
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John Fleetwood Test
En nuestras propias actividades empresariales estamos adoptando todas las medidas posibles para reducir nuestra huella de carbono, empleando la tecnología más avanzada en nuestros edifi cios, revisando todos y cada uno de los aspectos de nuestras operaciones y reduciendo los impactos ambientales de nuestras infraestructuras y de los sistemas de movilidad de los empleados.
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4 - Filantropía
Como un "capital riesgo" definitivo, la filantropía puede ser una parte importante del modo de abordar algunos de los problemas más espinosos del mundo. Mediante nuestras iniciativas y los proyectos que respaldamos, tratamos de estimular la acción en problemas ambientales y sociales.
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Propiedad activa y inversión activista
Nos esforzaremos por colaborar con emisores que no alcancen nuestras expectativas – bien sea directamente o mediante la colaboración con otros inversores. Cuando sea necesario, nos dirigiremos a los representantes del Consejo, votaremos contra el criterio de la dirección o respaldaremos acuerdos de accionistas. Dependiendo de la gravedad del tema y de la capacidad o disposición de los emisores a adoptar normas de buenas prácticas generalmente aceptadas, es posible que optemos por vender la inversión.
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Implicación de los clientes
Cuando haya datos relevantes disponibles, reforzaremos la información proporcionada sobre las características ASG de las carteras clientes y el impacto de las actividades de propiedad activa. Cuando falten datos, animaremos a los emisores a proporcionar sus informes según las normas internacionales.Cuando corresponde, informamos sobre la exposición de nuestras estrategias a los objetivos de desarrollo sostenible de Naciones Unidas y los límites planetarios.
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John Fleetwood
Director of Photo, Johannesburg, South Africa
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